Caterina Panti Liberovici has managed

to fully display the liveliness of the play thanks to a clever use of symbolic objects

(balloons, arrows, origamis, whirligigs)

and of rarefied gestures,

using the offered space in the best way possible.

GB Opera Magazine

 

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Caterina Panti Liberovici transforms Leo's play,

full of costumes and multiple meanings,

into a refined and brilliant workshop of symbols

and theatrical gestures,

forcing consent out of the audience.

Il giornale della musica

 

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Silly characters and comic icons

which the director Caterina Panti Liberovici

preferred to keep aside,

endorsing a refined, allegoric atmosphere

with excellent results.

La Repubblica