Italian opera director Caterina Panti Liberovici’s affinity for music began as a teenager, when she studied clarinet, singing and choral singing at the Conservatory Giuseppe Verdi of Turin.

Soon after she attended the School of Drama (Scuola del Teatro Stabile, Turin) where she excelled in her training as an actress.

From here the progression to opera was a natural one, and her aptitude for music theatre was soon nurtured and rewarded when she was award a scholarship at Teatro alla Scala, Milan in 1994.

Subsequently she worked regularly as an assistant to Luca Ronconi, and from 1994-2006 gained valuable experience as a staff director at alla Scala.

During this period, she also worked as a freelance director in her own right in Italian and European theatres.

Since 2010, she has been a staff director at Oper Frankfurt, where she also recently celebrated great personal success with her staging of Fioravanti’s ‘Cantatrici Villane’ at the Bockenheimer Depot.

During her engagements at Teatro alla Scala and Oper Frankfurt she has assisted visiting directors such as David Alden, Keith Warner, Vincent Boussard, Jürgen Flimm, Franco Zeffirelli, Graham Vick

and Hugo de Ana.

As a guest assistant she has worked at theatres such as Teatrro Regio di Parma, Teatro Regio di Torino, La Fenice di Venezia, l’Arena di Verona, Teatro Massimo di Palermo.

Recent opera projects as director have taken her to the Cantiere Internazionale d'arte in Montepulciano (L'impresario in angustie -2018 e La Finta Semplice - 2015),  Serbian National Theatre in Novi Sad  (Simone Boccanegra - 2013),  Festival della Valle d’Itria in Martinafranca  (L’ambizione delusa - 2013), Stanislawski Theater in Moscow (Luci miei traditrici - 2012),  Schlosstheater Potsdam (La scala di seta - 2008),  Teatro Carlo Felice in Genoa (The little sweep – 2007), Croatian National Theatre in Zagreb (Le convenienze e inconvenienze teatrali – 2003).

Alongside her work as a director and assistant director, she works passionately in the areas of education, devising stagings of opera for younger audiences, and in coaching, working with young singers in the Opera Studio at Oper Frankfurt.

She has been responsible for several hugely successful Kinderoper at Oper Frankfurt, including an award-winning staging of a children’s version of Il barbiere di Siviglia (2013).